The single of the day

'Shattered' was released as a 7" single in the US on November 19, 1978, where it peaked at #31.
'Shattered' is the third single from the band's 1978 album 'Some Girls'. The song is seen as a reflection of American lifestyles and life in 1970s-era New York City, but also influences from the English punk movement can be heard. It also foreshadowed the upcoming Rap movement as Jagger's performance is as much narrative as it is melodic. Some consider the song to be the group's "art music" masterpiece, stylistically consistent with the early punk rock music scene but without being excessively vulgar or negative.
Recorded from October to December 1977, 'Shattered' features lyrics by Mick Jagger on a guitar riff by Keith Richards. Jagger commented in a Rolling Stone interview that he wrote the lyrics in the back of a... [+]

Vintage distributors' jukebox strips are popular among collectors.

About the songs
Nearly 80 songs recorded by the Rolling Stones entered either the UK or US charts since 1963, twelve of them peaking at #1 ['Satisfaction', 'Get Off Of My Cloud', 'Paint It, Black' and 'Honky Tonk Women' were #1 in both countries].

The early years also were the most prolific and, whereas most titles were not yet penned by the Jagger-Richards tandem, record labels Decca [in the UK] and London [in the US] would issue singles at a frantic pace, building the band's reputation as the Beatles' most serious threat.

However, no global marketing strategy would emerge before the 70's, and both countries cultivated their differences in their respective discographies, as would their affiliates in other parts of the world.

The richness and diversity of the Rolling Stones singles discography is mainly due to the fact that, during the 60's, Decca would consider singles an independent market from the LPs' one, whereas London would use this format as a 'lift' for album sales. Therefore, British singles would offer non-album tracks [except for compilations], and Decca England would pass on a few US releases, while the US would opt for different B-sides and be a little more productive.

US exclusive couplings and singles would however often be released on Decca in Europe, notably in Scandinavia for which UK would exclusively press 'export' singles [Denmark, Sweden and Norway also pressed their own records and imported regular UK releases].