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'19th Nervous Breakdown' was released as a 7" single in the US on February 11, 1966, where it peaked at #2.
Its UK counterpart, released on February 4, 1966, also reached #2.
'19th Nervous Breakdown' was written by Mick Jagger and Keith Richards during their 1965 US tour. The track was recorded during the 'Aftermath' sessions between 3 and 8 December 1965 at RCA Recording Studios in Hollywood, California, at the conclusion of their fourth North American tour.
The song talks of a difficult, spoiled girl who cannot appreciate life. Mick Jagger says he came up with the title first, and then wrote the lyrics around the title. It was released as a single on 4 February 1966 and reached #2 on the Billboard Hot 100 in the US, and in the UK Record Retailer chart. However, it hit #1 in the NME chart and the BB... [+]
Vintage distributors' jukebox strips are popular among collectors.
About the songs
Nearly 80 songs recorded by the Rolling Stones entered either the UK or US charts since 1963,
twelve of them peaking at #1 ['Satisfaction', 'Get Off Of My Cloud',
'Paint It, Black' and 'Honky Tonk Women' were #1 in both countries].
The early years also were the most prolific and, whereas most titles were not yet penned by the Jagger-Richards tandem,
record labels Decca [in the UK] and London [in the US] would issue singles at a frantic pace,
building the band's reputation as the Beatles' most serious threat.
However, no global marketing strategy would emerge before the 70's, and both countries cultivated their differences in their respective discographies, as would their affiliates in other parts of the world.
The richness and diversity of the Rolling Stones singles discography is mainly due to the fact that, during the 60's, Decca would consider singles an independent market from the LPs' one, whereas London would use this format as a 'lift' for album sales. Therefore, British singles would offer non-album tracks [except for compilations], and Decca England would pass on a few US releases, while the US would opt for different B-sides and be a little more productive.
US exclusive couplings and singles would however often be released on Decca in Europe, notably in Scandinavia for which UK would exclusively press 'export' singles [Denmark, Sweden and Norway also pressed their own records and imported regular UK releases].
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