The single of the day ★ In Another Land

'In Another Land' was released as a 7" single in the US on December 22, 1967, where it peaked at #87.
Written by bassist Bill Wyman, it is the only Rolling Stones song to feature Wyman on lead vocals, and one of only three Rolling Stones songs to be written by him - the other being 'Downtown Suzie' and the unreleased 'Goodbye Girl'. Released with the Stones' 'The Lantern' as the B-side, it peaked at number 87 on the US pop chart.
The song was recorded on a night when Wyman had shown up to the studio and found that the session had been cancelled. Feeling frustrated that he had potentially wasted time in driving to the studio, engineer Glyn Johns asked him if he had anything that he'd like to record. "...I'd been messing with this song. It was a bit... what I thought was kind of spacy, you know... a bit kind of... [+]

Vintage distributors' jukebox strips are popular among collectors.

About the songs
Nearly 80 songs recorded by the Rolling Stones entered either the UK or US charts since 1963, twelve of them peaking at #1 ['Satisfaction', 'Get Off Of My Cloud', 'Paint It, Black' and 'Honky Tonk Women' were #1 in both countries].

The early years also were the most prolific and, whereas most titles were not yet penned by the Jagger-Richards tandem, record labels Decca [in the UK] and London [in the US] would issue singles at a frantic pace, building the band's reputation as the Beatles' most serious threat.

However, no global marketing strategy would emerge before the 70's, and both countries cultivated their differences in their respective discographies, as would their affiliates in other parts of the world.

The richness and diversity of the Rolling Stones singles discography is mainly due to the fact that, during the 60's, Decca would consider singles an independent market from the LPs' one, whereas London would use this format as a 'lift' for album sales. Therefore, British singles would offer non-album tracks [except for compilations], and Decca England would pass on a few US releases, while the US would opt for different B-sides and be a little more productive.

US exclusive couplings and singles would however often be released on Decca in Europe, notably in Scandinavia for which UK would exclusively press 'export' singles [Denmark, Sweden and Norway also pressed their own records and imported regular UK releases].