The single of the day ★ She Was Hot

'She Was Hot' was released as a 7" single in the UK on January 23, 1984, where it peaked at #42.
Its US counterpart, released at the same time, reached #44.
She Was Hot' is the second single from the band's 1983 album 'Undercover'. Written by Mick Jagger and Keith Richards, the song is notable as both original Rolling Stones pianist Ian Stewart and his replacement Chuck Leavell perform on the recording [which first began in late 1982].
A memorable video was produced for the song, featuring actress Anita Morris who semi-comically tempts each member of the band. The video version includes the complete second verse ending with "Grab a cab, grab a cab, and baby, come right by".
The Rolling Stones resurrected 'She Was Hot' for the 2006 US leg of their 'A Bigger Bang' tour. A performance of the song was c... [+]

Vintage distributors' jukebox strips are popular among collectors.

About the songs
Nearly 80 songs recorded by the Rolling Stones entered either the UK or US charts since 1963, twelve of them peaking at #1 ['Satisfaction', 'Get Off Of My Cloud', 'Paint It, Black' and 'Honky Tonk Women' were #1 in both countries].

The early years also were the most prolific and, whereas most titles were not yet penned by the Jagger-Richards tandem, record labels Decca [in the UK] and London [in the US] would issue singles at a frantic pace, building the band's reputation as the Beatles' most serious threat.

However, no global marketing strategy would emerge before the 70's, and both countries cultivated their differences in their respective discographies, as would their affiliates in other parts of the world.

The richness and diversity of the Rolling Stones singles discography is mainly due to the fact that, during the 60's, Decca would consider singles an independent market from the LPs' one, whereas London would use this format as a 'lift' for album sales. Therefore, British singles would offer non-album tracks [except for compilations], and Decca England would pass on a few US releases, while the US would opt for different B-sides and be a little more productive.

US exclusive couplings and singles would however often be released on Decca in Europe, notably in Scandinavia for which UK would exclusively press 'export' singles [Denmark, Sweden and Norway also pressed their own records and imported regular UK releases].