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'Tell Me (You're Coming Back)' was released as a 7" single in the US on June 12, 1964, where it peaked at #24.
'Tell Me' was the first Jagger/Richards song that the band released as a single A-side, and their first record to enter the US Top 40. It featured on their 1964 self-titled album 'England's Newest Hit Makers'. The single reached #24 in the US and #1 in Sweden. Unreleased as a single in the UK, it was originally released on 7" single or EP in most of the world.
The track was recorded in London in January 1964; versions both with and without Ian Stewart's piano were cut. Jagger said: "Keith was playing 12-string and singing harmonies into the same microphone as the 12-string. We recorded it in this tiny studio in the West End of London called Regent Sou... [+]
Vintage distributors' jukebox strips are popular among collectors.
About the songs
Nearly 80 songs recorded by the Rolling Stones entered either the UK or US charts since 1963, twelve of them peaking at #1 ['Satisfaction', 'Get Off Of My Cloud',
'Paint It, Black' and 'Honky Tonk Women' were #1 in both countries].
The early years also were the most prolific and, whereas most titles were not yet penned by the Jagger-Richards tandem, record labels Decca [in the UK] and London [in the US] would issue singles at a frantic pace, building the band's reputation as the Beatles' most serious threat.
However, no global marketing strategy would emerge before the 70's, and both countries cultivated their differences in their respective discographies, as would their affiliates in other parts of the world.
The richness and diversity of the Rolling Stones singles discography is mainly due to the fact that, during the 60's, Decca would consider singles an independent market from the LPs' one, whereas London would use this format as a 'lift' for album sales. Therefore, British singles would offer non-album tracks [except for compilations], and Decca England would pass on a few US releases, while the US would opt for different B-sides and be a little more productive.
US exclusive couplings and singles would however often be released on Decca in Europe, notably in Scandinavia for which UK would exclusively press 'export' singles [Denmark, Sweden and Norway also pressed their own records and imported regular UK releases].
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