The single of the day ★ No Spare Parts

'No Spare Parts' was released as a 7" single in the UK on November 25, 2011.
Credited to Mick Jagger and Keith Richards, this song is one of the previously unreleased bonus tracks from the 2011 remastered reissue of the band's 1978 album 'Some Girls'. The track was released in the digital format the week of November 14, 2011, and on 7" vinyl on November 25, 2011, as a limited numbered edition [more than 10,000 copies] made in the EU for distribution worldwide.

Recorded in Paris between January and March 1978, the song tells the story of a trip from Los Angeles to San Antonio, Texas featuring Mick Jagger on electric piano, Keith Richards on acoustic piano, Ronnie Wood on pedal steel guitar, Charlie Watts on drums and Bill Wyman on bass.
As most of the unfinished songs from this period, the track was com... [+]

Vintage distributors' jukebox strips are popular among collectors.

About the songs
Nearly 80 songs recorded by the Rolling Stones entered either the UK or US charts since 1963, twelve of them peaking at #1 ['Satisfaction', 'Get Off Of My Cloud', 'Paint It, Black' and 'Honky Tonk Women' were #1 in both countries].

The early years also were the most prolific and, whereas most titles were not yet penned by the Jagger-Richards tandem, record labels Decca [in the UK] and London [in the US] would issue singles at a frantic pace, building the band's reputation as the Beatles' most serious threat.

However, no global marketing strategy would emerge before the 70's, and both countries cultivated their differences in their respective discographies, as would their affiliates in other parts of the world.

The richness and diversity of the Rolling Stones singles discography is mainly due to the fact that, during the 60's, Decca would consider singles an independent market from the LPs' one, whereas London would use this format as a 'lift' for album sales. Therefore, British singles would offer non-album tracks [except for compilations], and Decca England would pass on a few US releases, while the US would opt for different B-sides and be a little more productive.

US exclusive couplings and singles would however often be released on Decca in Europe, notably in Scandinavia for which UK would exclusively press 'export' singles [Denmark, Sweden and Norway also pressed their own records and imported regular UK releases].