The single of the day ★ Get Off Of My Cloud

'Get Off Of My Cloud' was released as a 7" single in the UK on October 22, 1965, where it peaked at #1.
Its US counterpart, released on September 24, 1965, also reached #1.
Written by Mick Jagger and Keith Richards as a reaction to their sudden popularity after the success of 'Satisfaction', 'Get Off Of My Cloud' was recorded in early September 1965. The song is noted for its drum intro by Charlie Watts and twin guitars by Brian Jones and Keith Richards. The lyrics are defiant and rebellious and according to the band deal with their aversion to people's expectations of them.
On the song, Richards said in 1971, "I never dug it as a record. The chorus was a nice idea, but we rushed it as the follow-up. We were in L.A., and it was time for another single. But how do you follow-up 'Satisfaction'? Actually,... [+]

Vintage distributors' jukebox strips are popular among collectors.

About the songs
Nearly 80 songs recorded by the Rolling Stones entered either the UK or US charts since 1963, twelve of them peaking at #1 ['Satisfaction', 'Get Off Of My Cloud', 'Paint It, Black' and 'Honky Tonk Women' were #1 in both countries].

The early years also were the most prolific and, whereas most titles were not yet penned by the Jagger-Richards tandem, record labels Decca [in the UK] and London [in the US] would issue singles at a frantic pace, building the band's reputation as the Beatles' most serious threat.

However, no global marketing strategy would emerge before the 70's, and both countries cultivated their differences in their respective discographies, as would their affiliates in other parts of the world.

The richness and diversity of the Rolling Stones singles discography is mainly due to the fact that, during the 60's, Decca would consider singles an independent market from the LPs' one, whereas London would use this format as a 'lift' for album sales. Therefore, British singles would offer non-album tracks [except for compilations], and Decca England would pass on a few US releases, while the US would opt for different B-sides and be a little more productive.

US exclusive couplings and singles would however often be released on Decca in Europe, notably in Scandinavia for which UK would exclusively press 'export' singles [Denmark, Sweden and Norway also pressed their own records and imported regular UK releases].