'Doom And Gloom' was released for download on October 11, 2012, where it peaked at #61.
Credited to Mick Jagger and Keith Richards, 'Gloom And Doom' is one of the two songs that Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood recorded in Paris in August 2012 and which were included into the best-of compilation 'Grrr!' out on Nov. 12.
'Grrr!' was available into four formats: a 3-CD, 50-track collection with a 24-page booklet; a 3-CD, 50-track deluxe edition with a 36-page hardback book and five postcards; a 4-CD, 80-track 'super deluxe edition' with a bonus CD, poster and other goodies including a 4-track 7" EP of BBC sessions at Camden Theatre in 1964; and a 50-track 12-inch vinyl box set. All formats will include classic Stones cuts like 'Start Me Up', '(I Can't Get No) Satisfaction', 'Honky Tonk Women', 'Jumpi... [+]

About the songs
Nearly 80 songs recorded by the Rolling Stones entered either the UK or US charts since 1963, twelve of them peaking at #1 ['Satisfaction', 'Get Off Of My Cloud', 'Paint It, Black' and 'Honky Tonk Women' were #1 in both countries].

The early years also were the most prolific and, whereas most titles were not yet penned by the Jagger-Richards tandem, record labels Decca [in the UK] and London [in the US] would issue singles at a frantic pace, building the band's reputation as the Beatles' most serious threat.

However, no global marketing strategy would emerge before the 70's, and both countries cultivated their differences in their respective discographies, as would their affiliates in other parts of the world.

The richness and diversity of the Rolling Stones singles discography is mainly due to the fact that, during the 60's, Decca would consider singles an independent market from the LPs' one, whereas London would use this format as a 'lift' for album sales. Therefore, British singles would offer non-album tracks [except for compilations], and Decca England would pass on a few US releases, while the US would opt for different B-sides and be a little more productive.

US exclusive couplings and singles would however often be released on Decca in Europe, notably in Scandinavia for which UK would exclusively press 'export' singles [Denmark, Sweden and Norway also pressed their own records and imported regular UK releases].