The single of the day ★ Jumpin' Jack Flash

'Jumpin' Jack Flash' was released as a 7" single in the US exactly 57 years ago on May 31, 1968, where it peaked at #3.
Its UK counterpart, released on May 24, 1968, reached #1.

Written by Mick Jagger and Keith Richards, recording on 'Jumpin' Jack Flash' began during the 'Beggars Banquet' sessions of 1968 [although it was not released on that album].
Richards has stated that he and Jagger wrote the lyrics while staying at Richards' country house, where they were awoken one morning by the sound of gardener Jack Dyer walking past the window. When Jagger asked what the noise was, Richards responded: "Oh, that's Jack – that's jumpin' Jack." The rest of the lyrics evolved from there.

Jagger said in a 1995 interview with Rolling Stone that the song arose "...out of all the acid of 'Satanic Majestie... [+]

Vintage distributors' jukebox strips are popular among collectors.

About the songs
Nearly 80 songs recorded by the Rolling Stones entered either the UK or US charts since 1963, twelve of them peaking at #1 ['Satisfaction', 'Get Off Of My Cloud', 'Paint It, Black' and 'Honky Tonk Women' were #1 in both countries].

The early years also were the most prolific and, whereas most titles were not yet penned by the Jagger-Richards tandem, record labels Decca [in the UK] and London [in the US] would issue singles at a frantic pace, building the band's reputation as the Beatles' most serious threat.

However, no global marketing strategy would emerge before the 70's, and both countries cultivated their differences in their respective discographies, as would their affiliates in other parts of the world.

The richness and diversity of the Rolling Stones singles discography is mainly due to the fact that, during the 60's, Decca would consider singles an independent market from the LPs' one, whereas London would use this format as a 'lift' for album sales. Therefore, British singles would offer non-album tracks [except for compilations], and Decca England would pass on a few US releases, while the US would opt for different B-sides and be a little more productive.

US exclusive couplings and singles would however often be released on Decca in Europe, notably in Scandinavia for which UK would exclusively press 'export' singles [Denmark, Sweden and Norway also pressed their own records and imported regular UK releases].