The single of the day ★ It's All Over Now

'It's All Over Now' was released as a 7" single in the UK on June 26, 1964, where it peaked at #1.
Its US counterpart, released on July 25, 1964, reached #26.
'It's All Over Now' was written by Bobby Womack and Shirley Womack. It was first released by The Valentinos featuring Bobby Womack. The Valentinos version entered the Billboard Hot 100 on June 27, 1964, where it stayed on the chart for two weeks, peaking at No. 94. The Valentinos' original version was played to the Rolling Stones during their first North American tour in June 1964 by New York radio DJ Murray the K. After the band heard the song they recorded it nine days later at Chess Studios in Chicago. Years later Bobby Womack said in an interview that he told his man... [+]

Vintage distributors' jukebox strips are popular among collectors.

About the songs
Nearly 80 songs recorded by the Rolling Stones entered either the UK or US charts since 1963, twelve of them peaking at #1 ['Satisfaction', 'Get Off Of My Cloud', 'Paint It, Black' and 'Honky Tonk Women' were #1 in both countries].

The early years also were the most prolific and, whereas most titles were not yet penned by the Jagger-Richards tandem, record labels Decca [in the UK] and London [in the US] would issue singles at a frantic pace, building the band's reputation as the Beatles' most serious threat.

However, no global marketing strategy would emerge before the 70's, and both countries cultivated their differences in their respective discographies, as would their affiliates in other parts of the world.

The richness and diversity of the Rolling Stones singles discography is mainly due to the fact that, during the 60's, Decca would consider singles an independent market from the LPs' one, whereas London would use this format as a 'lift' for album sales. Therefore, British singles would offer non-album tracks [except for compilations], and Decca England would pass on a few US releases, while the US would opt for different B-sides and be a little more productive.

US exclusive couplings and singles would however often be released on Decca in Europe, notably in Scandinavia for which UK would exclusively press 'export' singles [Denmark, Sweden and Norway also pressed their own records and imported regular UK releases].