Rhodesian 7" discography / Decca singles [1964-1971] 

![The Rolling Stones - Blue Turns to Grey - FM.7239 • Rhodesia discography: Decca singles [1964-1971] The Rolling Stones - Blue Turns to Grey - FM.7239 • Rhodesia discography: Decca singles [1964-1971]](../af/sing/img/7239.jpg)
As for EPs, the Rhodesian Decca catalogue is the same as the South African one, although a few numbers may miss or have been imported from his neighbour.
Fold-out picture covers and labels are South African, while records have triangular centers and usually bear the mention 'MADE IN S. RHODESIA' etched in their grooves until early 1966.
Labels may be black, red or blue.
All fold-out PS are from South Africa - triangular center records pressed from 1966 onwards do not bear the 'Rhodesia' hint in the run-out groove anymore.
If a South African picture sleeve exists for most numbers, records were mostly distributed into company sleeves in both countries.
![The Rolling Stones - I Wanna Be Your Man - FM.7-7052 • Rhodesia discography: Decca singles [1964-1971] The Rolling Stones - I Wanna Be Your Man - FM.7-7052 • Rhodesia discography: Decca singles [1964-1971]](../af/sing/img/7052_tri_b.png)
When they can be found though, some back covers - as 'Off The Hook' [FM.7-7115] below - may bear a white sticker mentionning 'Record made in Southern Rhodesia'.
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From early 1966 onwards, Rhodesian pressings, still on triangular centers labels, miss the 'MADE IN S. RHODESIA' hint in the grooves, whereas South African pressings use the same type of labels for a while.
Therefore, singles only known with tri-centre labels like 'Paint It, Black' [FM.7234], the rare 'Blue Turns To Grey' [FM.7239], 'Mother's Little Helper' [FM.7258], or 'Have You Seen Your Mother, Baby, Standing In The Shadow?' [FM.7275] may have just been imported from South Africa and can be found into both discographies.
As for its neighbour, no picture cover was issued for 'Under The Boardwalk' and its unique B-side 'Time Is On My Side' [FM.7-7136], nor 'Satisfaction' [FM.7-7166], both titles peaking the Rhodesian charts at #2 [#1 in S.A.].
South African company sleeves would also dress Rhodesian pressings.The country stopped producing tri-center labels in late 1969.
Finally, a few 7"s seem to only exist as South African pressings, on 4-spike centers or plain labels [after 1970], which explain their absence here:
'Under The Boardwalk' [FM.7446 - 4-sp.],
'Street Fighting Man' [FM.7418 - 4-spike],
'Street Fighting Man' [FM.7511 - plain],
'Tell Me' [FM.7519 - plain], and
'Sad Day' [FM.7590 - plain].
