
'Brown Sugar' was a single in Germany, coupled with 'Bitch' [yet covers exist with
'Let It Rock' overprinted on front housing the UK pressing].
It was issued with many label variations, including triangular centers [for export to Holland & Scandinavia],
4-spikes push-out centers and finally large labels, while mixing 19100 or/and RS 19100 catalogue numbers, and using different typographies.
As if it was not confusing enough, half of B-sides mistakenly mention the 'Sticky Fingers' catalogue number as COC 50100 [instead of COC 59100].
More interestingly, a label variation also offer an alternative matrix ending by 'Made in Austria' instead of 'Manufactured in Germany' in the groove!
Dropped to better re-surface,
'Let It Rock' was released next as a charity single for the anti-drug benefit organisation Release, with 'Blow With Ry' from the 'Jamming With Edward' album on the flip side. Exclusive to Germany, this oddity also was issued several times, first into a fold-out cover with an explicative text inside - different textures were issued and picture of the benefit LP at the bottom of the text also exists in n&b, then in a standard PS with back as front [rare].


in the late 70's, some bootlegger imported US singles for distribution in Holland and Germany into unofficial 'Oldie' titled covers.
This was notably the case for 'Angie' / 'Silver Train' or 'Fool To Cry' / 'Hot Stuff'.
First labels of 'Let It Rock' bear the 'For Release' logo, later ones do not, but all miscredit 'Let It Rock' to E. Anderson instead of Chuck Berry.
As 'Brown Sugar' [RS 19100], 'Tumbling Dice' [RS 19103] was issued both on large and push-out center labels. The die-cut tongue sleeve was used for this single - as in most countries, and an extra 7"x7" insert [pictures below] was sent to the promo people.
'Angie' [RS 19105] and 'Star Star' [RS 19108] were the only promo white label issues from this era.
Two different back covers were made for 'Angie', the first prints bearing the 1973 tour dates [Germany, Austria, Switzerland].
Slight different artworks - fronts and backs - were produced as well for 'Star Star' which was released with the same cover in Spain, but the same coupling only in France. Scarce front covers have 'Doo Doo Doo Doo Doo' in white standing just below 'Star Star', else the cover is very common. Note that promo and initial labels for the B-side omitted authors credits as well.
A unique 'live' cover in the pure 70s style was put out for 'It's Only Rock'n'Roll' [RS 19114] which remains easy-to-find.
'Ain't Too Proud To Beg' [RS 19116] is more interesting with its artwork signed by Belgian pop artist Guy Peellaert, also responsible for the 'It's Only Rock'n'Roll' LP artwork or David Bowie's 'Diamond Dogs' at the time. The same design was used for the Japanese cover of 'It's Only Rock'n'Roll'.
The picture sleeve for 'Fool To Cry' [COC 19121] is exclusive, using the 1976 European tour poster artwork. Two versions exist depending on the rear, the rare variation advertising for 13 dates [instead of 14 for the common one].