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Your search returned 1748 results.
Items with pictures only | Promo items only | View as | sort by in
Artist | Title | Format | Or. | Description & Condition | € | Buy |
Heron, Mike | Smiling Men With Bad Reputations | LP | USA, 1972 - Elektra 74093 - original stereo - former Incredible String Band Member. Guests include: John Cale, Richard Thompson and other Fairport Convention members Condition: nm/nm - small cut on bottom right corner |
15 € | ||
Herman's Hermits | Traveling Light | audio postcard | Poland, 1981 - Biuro Wydawnicze Ruch 4788-1-63 - 14x10cm musical postcard - band name stamped on the back - no date specified but estimated from 1981 - this should be considered as novelty, do NOT buy this card for its musical value. Such cards are difficult to play and the sound quality is very low. If you intend to play it, weighting it to an old record on the turntable and/or increasing the tracking pressure may help, but it may still sound scratchy. The text below if from Goldmine mag. online: POLISH POSTCARDS Although the so-called Polish Postcard singles are widely considered an aspect of flexidisc collecting, the sheer range and novelty of available issues has established them as a firm, if difficult, theme in their own right. Little firm data has been published surrounding these exotic issues’ origins and development. The majority were produced by the Polpress label and are sometimes inaccurately described as pirate productions, in that the music was not licensed from the western copyright holders. However, as one of the few rock-music media readily available to Polish youth during the Communist era, their status as items of social history necessarily outweighs any legal issues. Polish Postcard records seem to date back to the 1960s, when Mary Hopkin’s “Bylie Taki Dni” (“Those Were The Days”) was paired with the Ohio Express’ untranslatable “Yummy Yummy Yummy” for an issue much sought after by Apple label collectors. Other known issues from this early period include Procol Harum, The Doors and Pink Floyd. Many of the discs (which are, of course, shaped and manufactured to the specifications of a regular picture postcard, then embossed with two musical tracks) frequently bear images completely unrelated to their subject — cartoons, street scenes, greetings and so forth. It also appears that “new” postcards were not always produced; many postcard singles exist pressed onto cards which clearly predate the song’s recording — a 1920s view of Warsaw, for example, playing a 1970s Deep Purple song. Neither was Poland the only Communist bloc nation issuing music in this form. The Soviet Union itself saw a number of postcard singles issued by the Moscow Photo/Cinema Organization during the late 1960s, measuring some 9½” across and playing at 78 rpm. These cards, too, tend to offer totally unrelated images on the postcard side. Another characteristic of these issues is their extremely limited availability. Some press runs were as tiny as 50 copies. One should also be aware that automatic record players — that is, those whose mechanism automatically returns the playing arm to its rest upon reaching the end of the record — are unable to play them, as the postcard record begins where a conventional 45’s label would lie. Entire LPs were produced in the postcard medium, two songs per card. For obvious reasons, complete sets are extremely rare and highly valued today, particularly those still contained within their own original packaging. Many cards, individual and otherwise, were issued in “picture sleeve” envelopes or wrappers, bearing the artist and song title. Several Pink Floyd titles are known in this format, including the albums Dark Side Of The Moon and Meddle, and a unique compilation, Super Floyd. (Pink Floyd themselves utilized the wrapper format as packaging for the set of non-musical postcards included within their Shine On box set. ) Polish postcard releases, while actively traded, are nevertheless extremely difficult to find. Many collectors might spend their entire lives without ever finding one through their traditional record-hunting channels. However, shift one’s focus away from record collecting and into the realms of cartophily (postcard collecting) and some finds can be made. Many card dealers have sections of novelty and musical postcards, and while these tend to be dominated by mass-produced American issues, playing state anthems and songs for tourists and the like, more esoteric items abound. Condition: ex - title printed on the back |
8 € | ||
Herman's Hermits | East West | 7" PS | Germany, 1973 - Columbia C23377 - 1973 rare Condition: nm/ex |
10 € | ||
Herd, The (Peter Frampton) | Our Fairy Tale | 7" | USA, 1968 - Fontana F-1618 - original Condition: vg+ |
10 € | ||
Hendrix, Jimi | Crosstown Traffic | 7" flexi | Poland, 1971 - Biuro Wydawnicze 'Ruch' G11/71 - rare 1-sided postcard flexi - novelty item! Sound is probably not good ! Condition: vg- |
12 € | ||
Hendrix, Jimi | Strange Things | LP | France, 1974 - Music For Pleasure 2M 046 95397 - w/ Curtis Knight - 1974 orig. release Condition: nm/nm - sm. sticker on label |
13 € | ||
Hendrix, Jimi | Rare Hendrix | LP | France, 1972 - Explosive 558002 - Rare 70's issue on small label company Condition: ex/m- - a very small bump in one corner, sol, else m- |
22 € | ||
Hendrix, Jimi | Crash Landing | LP | France - Polydor MS 2204 / Polydor 2310 298 - US cover w/ French disc Condition: nm/nm - very light rw on back cover only else nm/nm - sol |
20 € | ||
Hendrix, Jimi | Electric Ladyland | LPx2 | France - Barclay 920061 - gatefold cover - 'fire' Barclay labels Condition: ex+/ex - smallest damage near opening side on the back (see pix) else fantastic copy; immaculate labels, no writing, no seam split, no sticker, etc; |
65 € | ||
Hendrix, Jimi | Strange Things | LP | France, 1974 - Music For Pleasure 2M 046 95397 - w/ Curtis Knight - 1974 orig. release Condition: ex+/nm |
11 € | ||
Heitor Villa-lobos + José Echániz | La famille du bébé | LP | France - Vega C30A95 - original - José Echániz: piano Condition: vg+/ex - sol - edges wear |
10 € | ||
Head, Murray | Between Us | LP | France, 1979 - Philips 9101725 - Produced by Rupert Hine - w/ extra French lyrics insert Condition: nm/ex - light scuffs |
10 € | ||
Haysi Fantayzee | John Wayne Is Big Leggy | 7" PS | UK, 1982 - Regard Records RG 100 Condition: vg+/vg+ |
5 € | ||
Hawkins, Ronnie | Mary Lou | 7" PS | USA - Roulette 4177 - no record, sleeve only - reprint from the late 70's Condition: m |
10 € | ||
Hawkins, Coleman | Today and Now | LP | France, 1963 - Impulse IMP 34 - original 12-1963 - orange & black Impulse labels Condition: vg+/ex - sol - back cover with a few marks & fadings |
25 € | ||
Harrison, Jerry (Talking Heads) | Casual Gods | 7" PS | UK, 1988 - Fontana JERRY1 - Jerry Harrison: Casual Gods. The name The Casual Gods was used from 1988 by Talking Heads' Jerry Harrison in an attempt to create a new "band" identity by linking it to his previous record - c/w 'Bobby (Aboriginal Mix)' Condition: nm/nm |
9 € | ||
Harrison, Jerry (Talking Heads) | The Red and The Black | LP | Germany, 1981 - Sire SIR K 99519 - great under-rated album by the Talking Heads' guitarist Condition: ex/nm |
16 € | ||
Harrison, George (The Beatles) | Dark Horse | 7" | USA - Apple 1877 - white labels stereo - c/w 'I Don't Care Anymore' Condition: ex |
10 € | ||
Harrison, George (The Beatles) | Wonderwall Music | CD | UK, 1992 - EMI CDP 7 98706 2 - 19-track CD Condition: ex/ex |
15 € | ||
Harmonizing Four | Spirituals that will Live Forever | LP | France - Vee Jay VJS 5069 - Blues & Gospel Train N°11 - early 60's pressing Condition: nm/ex - sm. sticker on label |
25 € | ||
Haricots Rouges, Les | The Jungle Book Ep | 7" EP | France - Ducretet Thompson 460 V 772 Condition: vg/ex - wobc |
5 € | ||
Haricots Rouges, Les | Les Haricots Rouges | LP | France - Ducretet Thompson 2C 054 10027 - Top copy, superb Condition: ex/nm - sol, sm. tear on top flipback |
15 € | ||
Hardy, Françoise | Qui aime-t-il vraiment? | sheet music | France, 1963 - SEMI - Partition originale, rare Condition: ex - quelques plis & froissements légers, excellent état général |
10 € | ||
Hardy, Françoise | J'suis D'accord | 7" EP | France, 1962 - Vogue EPL 7.967 - original BIEM labels with tri-centre Condition: m-/vg+ |
12 € | ||
Hardy, Françoise | C'est à l'amour auquel je pense | 7" EP | France, 1962 - Vogue EPL 8047 - original BIEM labels with tri-centre, 1962 Condition: m-/m- - top copy, no wol, clean spine, etc - a 3mm tear on back where the side tab was removed else m- |
12 € | ||
Hardy, Françoise | J'suis D'accord | 7" EP | France, 1962 - Vogue EPL 7.967 - original BIEM labels with tri-centre Condition: nm/ex - still has side tab, no woc, wol etc, top copy |
18 € | ||
Hardy, Françoise | Voila + 3 | 7" EP | France, 1967 - Vogue EPL 8566 - original BIEM labels - laminated cover w/ flipbacks - one of the most beautiful cover / woman from the 60's! Condition: m-/m- - top copy, sm. shop sticker in bottom right corner |
24 € | ||
Hardy, Françoise | Françoise Hardy | LP | France, 1964 - Vogue LD 600-30 - gorgeous laminated original cover w/ flipbacks - no record, cover only! Condition: ex - no record, sleeve only - one light crease on front, light wear |
20 € | ||
Hardy, Françoise | J'suis D'accord | 7" EP | France, 1962 - Vogue EPL 7.967 - original BIEM labels with tri-centre Condition: nm/vg+ |
14 € | ||
Hardy, Françoise | Le premier bonheur du jour +3 | 7" EP | France, 1963 - Vogue EPL 8139 - Le premier bonheur du jour / Va pas prendre un tambour / Nous tous / J'aurais voulu - original BIEM labels w/ tri centre, 1963 Condition: ex/vg+ |
13 € | ||
Hardy, Françoise | Je n'attends plus personne | 7" EP | France, 1963 - Vogue EPL 8290 - original BIEM labels w/ tri centre, 1963 Condition: m-/vg+ |
10 € | ||
Hardy, Françoise | La maison où j'ai grandi +3 | 7" EP | France - Vogue DOV. 02 - La maison où j'ai grandi / Comme / Mon amitié / La Rose - original BIEM labels, 1968 - rare gatefold booklet cover issue Condition: ex/g - disc quite used |
15 € | ||
Harakiri | mars 1973 | mag | France, 1973 - rare satiric magazine Condition: ex - sticker on front |
9 € | ||
Handel, Georg Friedrich | Utrechter Te Deum und Jubilate / Zadok The Priest | LP | Germany - Archive 14124 - ILSE WOLF (Sopran), HELEN WATTS (Alt), WILFRIED BROWN (Tenor), EDGAR FLEET (Tenor), THOMAS HEMSLEY (BASS) & ORCHESTRA Conducted by GERAINT JONES - original gatefold cover Condition: ex/nm |
20 € | ||
Hampton, Lionel | You Better Know It!!! | LP | France, 1965 - Impulse - Vega IMP 78 - w/ Clark Terry, Ben Webster, Hank Jones, Milt Hinton, Osie Johnson - original oct. 1965 release Condition: ex/nm - sm. sticker on label |
15 € | ||
Hallyday, Johnny | booklet | France - Fnac - Fnac promo color pictures booklet CD-size (no CD, no CD made with this) ltd edition #005286 Condition: ex - légérement élimé sur la tranche, sinon neuf |
9 € | |||
Hallyday, Johnny | Juke Box #5 - 1985 | mag | France - Jukebox is the French equivalent of Record Collector mag. in the UK - N°5 w/ the surf EP cover Condition: nm |
15 € | ||
Haley, Bill | 'Rock around the clock' vintage ename pin | pin | France, 1992 - Vintage enamel pin, most likely from the 1990's - signed Démons et Merveilles Condition: ex |
10 € | ||
Haley, Bill | Rock Around the Clock | LP | France, 1967 - Ace of Hearts AH 0013 - superb condition and wonderful cover from the 60's - rare! Condition: ex/ex - sm. sticker on label |
22 € | ||
Haley, Bill | Live It Up! | 7" EP | UK, 1957 - London RE-F 1050 - Rare original from 1957 Condition: m-/ex- - with tri-center |
45 € | ||
Haley, Bill | The Hit Singles Collection | LP | Germany, 1985 - MCA 252458 - 1985 compilation Condition: m-/m- - top shape |
9 € | ||
Haisy Fantayzee | John Wayne Is Big Leggy | 7" PS | UK - RG100 Condition: ex/ex |
5 € | ||
Hair | Hair | LP | France - Concert Hall SVS 2715 - gorgeous art sleeve w/ flipbacks (slight damage on 1 flipback) Condition: ex/nm - sol |
15 € | ||
Hagen, Nina | My Way | 7" EP | Holland, 1980 - CBS 9030 Condition: nm/nm |
10 € | ||
Haendel | Sonates Pour Violons et Basse Chiffrée | LP | France - CND CND 32 - Le Colegium Pro Musica de Paris Maria Frasca-Colombier, Violon Paul Kuentz, Clavecin Jean-Louis Hardy, Violoncelle Réalisation: Paul Kuentz Haendel - more details of back cover & labels pictures Condition: vg+/vg - sol (cover has 2 creases in 2 corners - record w/ light scuffs and light scratches - background noise) |
20 € | ||
Haendel | Te Deum de Dettingen | LP | France, 1967 - Fontana 698.012 FL - L'Harmonieux Forgeron (Maria Bloom: Carillon) / Te Deum de Dettingen - Annette de la Bije, Soprano - Aafte Heynis, Contralto - Arjan Blanken, Ténor - David Hollestelle, Basse - Choeurs de la Société Bach Des Pays-Bas - Orgue et Orchestre Dir. Par Anthon Van Der Horst Condition: nm/ex - sol - record actually looks nm but a couple of light scuffs makes it ex |
25 € | ||
GusGus | Polyesterday | CDS | UK, 1996 - 4 AD BAD6013CD - 4-tracks EP in digipak picture sleeve - Icelandic band Condition: m/m |
10 € | ||
Gryce, Gigi / Thelonious Monk / Percy Heath / Art Blakey | Nica's Tempo | LP | France - Savoy Musidisc 6023 - red orig. labels - incl. Speculation, In a Meditating Mood, Social Call, Smoke Signal, You'll Always Be the One I Love, Kerry Dance, Shuffle Boil, Brake's Sake, Gallop's Gallop, Nica's Tempo ; three different groups drawn from Gryce (alt.), Art Farmer (trpt), Bill Barber (tba), Horace Silver (pno), Oscar Pettiford (bs), Jimmy Cleveland (trb), Gunther Schuller (fr. hn), Danny Bank (bs), Kenny Clarke (drms), Art Blakey (drms), Eddie Bert (trb), Julius Watkins (fr. hn), Cecil Payne (bass), Ernestine Anderson (vcl), Thelonious Monk (pno) and Percy Heath (bs) - original laminated cover w/ flipbacks Condition: nm/ex - one slight mark on 1 track not affecting playing, else looks nm |
30 € | ||
Groundhog | Take It Off | 7" | USA, 1969 - JAD J-219 - Rare soul blues from 1969 produced by Don Covay - in the Slim Harpo style Condition: vg+ - dusty but unscratched |
25 € | ||
Gribouille | Mourir De Joie | LP | France, 1970 - Columbia 2 C 062-11912 - excellent and little known French 60s singer in the Barbara style Condition: m-/m- |
20 € |